Michael Gambon, Dumbledore in the ‘Harry Potter’ films, dies at 82 | ET REALITY

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His television roles ranged from Inspector Maigret to Edward VII, from Oscar Wilde to Winston Churchill. And in the movies he played characters as different as Albert Spica, the rough and violent gangster in Peter Greenaway’s “The Cook, the Thief, His Wife and His Lover,” and the benign Professor Dumbledore.

Gambon took on the role of Dumbledore, a central character in the Harry Potter saga, when Richard Harris, who had originated it, died in 2002. Review of “Harry Potter and the Prisoner of Azkaban,” in which he first appeared in For the role, AO Scott of The New York Times wrote that the film, while notable for its special effects, was also, like the previous two films in the series, “anchored by first-rate flesh-and-blood British performances.” ”, noting that “Michael Gambon, as the wise headmaster Albus Dumbledore, has gracefully donned Richard Harris’s conical hat and flowing robes.” Gambon continued playing Dumbledore during the final film in the series, “Harry Potter and the Deathly Hallows: Part 2,” released in 2011.

Despite all the attention that role brought him, Gambon stated that he did not consider this or any other performance to be a great achievement; He often responded to interviewers who asked him about acting by saying, “I just do it.” But in reality she prepared thoroughly for his role. She would absorb a script and then use the rehearsals to adapt and deepen his discoveries.

“I’m very physical,” he once said. “I want to know what the person is like, what his hair is like, how he walks, how he stands and sits, how he sounds, his rhythms, how he dresses, his shoes. The way your feet feel on stage is important.” And little by little, very slowly, Gambon was getting closer to what he felt was the core of a person and, as he said, relying on intuition to bring it to life on stage.

Although not a Method actor, Gambon used memories when strong emotions were needed. It was easy for him to cry on stage, he said, sometimes thinking about the famous photograph of a naked Vietnamese girl fleeing a napalm attack. Acting, he said, was a compulsion, “hard work, heartache, misery, moments of pure joy.”

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