Five International Movies to Stream Now | ET REALITY


Stream it on Netflix.

Coming to Netflix just in time for Halloween, this Swedish slasher is about one of the great horrors of modern life: retirement from work. A group of municipal employees gather at a resort to get back in touch with nature, develop team spirit, and discuss plans for a controversial project that requires the appropriation of local farmland. The project leaders’ forced smiles (and their circular corporate speech whenever a colleague raises ethical qualms) are sinister in their own way. But when the resort’s staff and guests are murdered one by one in spectacularly sickening fashion, the group’s ability to work together (and traverse zip lines and make DIY rafts) takes on life-and-death risks. Director Patrik Eklund crafts a straightforward thriller from this premise, offering a sharp satire on corporate greed with a generous sprinkling of blood.

Rent it on Amazon.

The premise of this Tunisian thriller from Youssef Chebbi is fascinating in its own right: in Tunisia, a young detective, Fatma (Fatma Oussaifi) investigates a series of increasingly inexplicable cases of self-immolation. But the historical context deepens the genre pleasures of “Ashkal: The Tunisian Investigation” into a political parable. In 2010, a Tunisian street vendor set himself on fire in public to protest harassment by authorities in a tragic spectacle that sparked the Arab Spring. Inspired by that moment, Chebbi creates a seductive version of the classic hard-boiled police procedural. Many of his flourishes are familiar (though performed with great visual originality), such as detectives solving puzzles by wandering an industrial cityscape rendered in stark chiaroscuro. The mystery at the heart of the film, however, burns inextinguishably: it yields no answers or proof, but only a people’s burning desire for self-determination.

If you saw and liked directors Huang Ji and Ryuji Otsuka’s film “Stonewalling,” which was released in theaters earlier this year, their 2017 film “The Foolish Bird,” which is recently streaming on the Criterion Channel, is a must see. . Like its successor, “The Foolish Bird” is a dark, delicately crafted drama about the nexus between ruthless capitalism and the patriarchal violence that ensnares young women in China. Here, Lynn (Yao Honggui), a shy and bullied high school student, charts a difficult coming of age in the shadow of sexual violence in a small Hunan town. The recent rape and murder of a young girl has shaken the town, but it does not dampen Lynn’s and her friend May’s longing for freedom from her restrictive and impoverished home lives. They start selling stolen phones to make some extra money, but find themselves repeatedly – ​​and in some cases, brutally – surrounded by a world where it seems that masculinity, rather than money, is the true currency.

Stream it on Tubi.

In this gentle French drama, a man, Thomas (Niels Schneider), returns to his hometown after 12 years away and confronts a family in disarray. Her mother is on her deathbed, her father has not yet forgiven him for her departure, and her sister-in-law, Mona (Adèle Exarchopoulos), whose husband died under mysterious circumstances, struggles to raise her son. She is 6 years old. Pain looms over the house and the adjoining farm, which debts have eroded over the years. Thomas fights his way through this emotional fog and finds his way back to the family through his young nephew, Alex (Roman Coustère Hachez). Jessica Palud’s film is remarkably simple but full of feeling, thanks to a set of sensitive performances. Exarchopoulos exudes sensuality and suffering, and Schneider seethes with love and pain, but Coustère Hachez stands out: his precocity and mischief perfectly embody the ways in which children can usher in the future when adults are too mired in the evils of the future. past.

Boxy vintage cars, creaky telephones, and women traded in marriage like cattle: Set in the 1960s and ’70s in the southern Indian city of Bangalore (now Bengaluru), this period drama from Sindhu Sreenivasa Murthy ( also stars) combines nostalgic charm with a clever satire of stale old patriarchal traditions.

When the film opens in 1960, the fearsome Madhusudhan Aachar (Ashok), an engineer with character, is the envy of his neighbors for his government job, his big house and his 10 children. Three are boys whom he hopes (or rather demands) to become engineers like him, and seven are girls he hopes to match with successful husbands. As the film moves through the next two decades, a multitude of weddings, unexpected deaths, and births change the family’s fortunes, as do changing attitudes about marriage and women’s social roles. Told with great wit and charming irony, and full of gags (three neighborhood gossips, nicknamed BBC for their acronym, appear from time to time like a Greek chorus), “Aachar & Co.” is a clever, Austenian version of the great Indian wedding melodrama.

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